Instead, it dares to ask what happens if saving the day means taking real, tangible losses - a concept so foreign that it comes in the form of an intergalactic purple titan named Thanos ( Josh Brolin). Vox-mark vox-mark vox-mark vox-mark vox-markĭirected by the Russo brothers, the architects behind Captain America: Civil War and Captain America: Winter Soldier, Infinity War slyly betrays Cap, presenting his and the Avengers’ worldviews as naive and privileged. “We don’t trade lives,” Captain America ( Chris Evans) tells his compatriots in Avengers: Infinity War, essentially summing up Marvel’s ethos over the past 18 movies: Leave no men, women, children, or any other life form behind. You don’t have to squint too hard to see that all these villains and their endgames (take control of the planet and/or the universe), as well as our heroes’ efforts to stop them, have started to look essentially the same. Throughout Marvel Studios’ 10-year cinematic history, we’ve seen the world saved multiple times, from threats ranging from a chunk of Earth poised to crash down and wipe us out like the dinosaurs in Avengers: Age of Ultron to the unkillable goddess of death in Thor: Ragnarok. And it’s all the more confounding for how closely it mirrors its decade of movie predecessors only to end up shattering that mirror: Infinity War moves, sounds, and acts like a typical Marvel movie, but then unmasks itself as a creature distinctly its own. Trying to describe any part of it alone will make you sound like you’ve lost your mind trying to describe it all kind of makes it sound like it’s lost its mind. Avengers: Infinity W ar feels like a Marvel movie on bath salts.

Instal Avengers: Infinity War